Best Poker Movies

The Cincinnati Kid

Steve McQueen in "The Cincinnati Kid"

Beginning with western movies, poker has always been a popular theme in Hollywood. Although many of the Hollywood films that feature poker are not very good and some of them even display poker in a ridiculous manner, watching poker action on the big screen is great fun, especially if you play poker yourself.

These are our choices for the best poker movies that were ever produced in Hollywood. Some of the movies are excellent movies regardless of the poker game, while in others the poker games is the feature that makes them worth watching. However, if you are a poker fan, add these movies to your must see list.

The Sting directed by George Roy Hill 1973

The Sting is less about poker and more about the art of card sharking but it will provide you two hours of sophisticated fun. The 1973 Academy award winner features young Paul Newman as the greatest con artist of them all who mentors young Robert Redford in the art of trickery. David S. Warn screenplay is based on true con games stories.

The Cincinnati Kid directed by Norman Jewison 1965

The classic stud poker film known for its climatic final hand and the unforgettable quote: Gets down to what its all about, doesn't it? Making the wrong move at the right time. In short, The Cincinnati Kid is about the battle between Steve McQueen who plays a young poker player also known as The Kid and the veteran poker gambler known as The Man who is played by Edward G. Robinson. The movie is set during the Great Depression in New Orleans. It may not appear at any other list of best movies, but it certainly has one of the best poker scenes ever.

California Split directed by Robert Altman 1974

California Split may not be the pick of Robert Altman's creations, but is one of the best movies to depict the messy everyday life of two professional gamblers played by George Segal and Elliott Gould. Like many of Altman films, the narrative is not particularly straightforward and the end is not necessarily happy, but it does succeed in describing an authentic experience. Additionally, poker trivia fans would be happy to learn that poker legend Amarillo Slim plays a small role.

Rounders directed by John Dahl 1998

It is hard to tell whether this movie led to the 21st century poker boom or the rise in the popularity of poker made Rounders a cult hit. However, Rounders is one of the best poker films to display the contemporary high stakes poker scene. The core of the movie is a long poker marathon in which Mat Damon and Edward Norton are trying to earn money to pay off the latter's gambling debts. World Series of Poker champion Johnny Chan plays a featured role.

Maverick directed by Richard Donner 1994

Although Maverick is not the most brilliant film ever made and some of the poker scenes are rather silly, it is a fun and lighthearted poker movie. It might even provide you a basic idea on what it was like to be a rambling gambler in the old west card scene. Mel Gibson is a maverick who tries to earn enough money for the big five card draw poker tournament.

Ray

Ray

Ray

Nominated for six Academy Awards including Best Picture, Ray is a captivating and inspiring true story about a man beloved by millions around the world. Based on the life and times of Ray Charles Robinson, the film follows the popular singer's life from the earliest days of his youth to the day of his triumph over a heroin addiction. Featuring a soundtrack second to none in the history of cinema, Ray is the total package in terms of a blockbuster film - great characters blended together with an inspirational personal journey and an unforgettable musical score. Actor Jamie Foxx gives an Oscar Award winning performance so lifelike that it's difficult to distinguish his character from the real Ray Charles. In short, Ray is a film that appeals to a wide audience and one that literally transports its viewers into another era… Jamie Foxx plays the role of Ray Charles Robinson, a black youth growing up in Florida during the Great Depression. Forced to deal with the tragedy of his kid brother's death, and the loss of his own vision at a young age, Ray nevertheless triumphs over his disability when his mother refuses to let him feel sorry for himself. Learning to play the piano from a neighborhood musician, Ray strikes out on his own in the late-1940s for gig in Seattle. Ray's amazing talents are instantly recognized, and he's never short of a gig. However, while traveling on the road with several jazz bands, Ray begins using drugs, and he eventually becomes addicted to heroin. When Atlantic Records buys Ray's contract, Ray's career accelerates, culminating in several number one hits. Eventually, Ray strikes a deal with NBC worth more than any other performer of his day, and he and his wife Bea buy a luxurious Beverly Hills home with the world spread out before them. But things aren't as perfect as they seem. Ray's infidelities have taken a toll on his marriage, and his drug addiction threatens to ruin his family, his relationship with his children, and his dealings with longtime friends. Having already accomplished more than most men, Ray Charles must now face the greatest challenge of his life - overcoming his heroin addiction and living a clean life… Jamie Foxx is simply astounding in his portrayal of the larger than life figure Ray Charles, and his effort was more than acknowledged by his Academy Award victory and widespread critical acclaim. But less attention is given to the outstanding supporting cast that surrounds Foxx. The role of the young Ray Robinson's mother, Aretha, is played by Sharon Warren with such passion that her character leaps off the screen and into one's memory as the second most influential character of the film. Aretha's dedication to her son's future and her demanding, yet loving, attitude toward his self-sufficiency are admirable qualities. And the mother's influence on Ray is apparent in his drive not to be treated by the world as a cripple. Further adding to the allure of Ray are performances by Kerry Washington (Della Bea Robinson), Regina King (Margie Hendricks), and Clifton Powell (Jeff Brown). Through the interaction of each character, the viewer sees a reflection of the passion and driving life forces that moved Ray Charles toward his musical destiny. Ultimately, Ray is a film about relationships and dreams. The astounding heights of success achieved by a blind man (and a black man in a segregated society) leave the impression that any individual can achieve any feat to which he puts his mind. This is the true gift of Ray, a feel-good film with a happy ending about a man who showed the world that anything is possible. And that's why Ray is an absolute must-see movie…

It’s a Wonderful Life

It's A Wonderful Life

It's A Wonderful Life

The quintessential Christmas classic, It's A Wonderful Life has dominated the holiday TV landscape with its timeless story of love, friendship, and a kind man’s exceedingly relevant life. Filmed in 1947, this Frank Capra masterpiece debuted in theaters to what could best be described as a lukewarm reception. Yet it quickly rose in stature following repeated annual television airings in the 1960s, a Christmas tradition that continues to this day. Centered around the life of George Bailey (Jimmy Stewart), a likeable, ambitious resident of Bedford Falls who harbors dreams of grandeur, the film sets out to portray a viewpoint of a world in which the divine’s ultimate plan may be far different from our own. Yet the result of that plan is far better than we could ever imagine… As the film begins, we gain a glimpse into the life and times of a young George Bailey, an upstanding and studious fellow who manages to avert two potential disasters by the age of ten. Under the employ of neighborhood druggist Mr. Gower, Bailey prevents the delivery of a poison prescription, and while enjoying the boyhood wonders of the local ice pond, he rescues his younger brother from certain death by pulling him from a patch of broken ice. From these early years, the story jumps several years into the future, where a grown up and infectiously optimistic George harbors wild dreams of world travel, exploration, and the construction of large buildings. But inevitably, he stays in Bedford Falls in order to carry on the family business, the small yet popular Bailey Savings & Loan (the only financial institution in Bedford Falls not owned by the unmerciful tycoon Mr. Potter). As the years pass, Bailey must deal with his own family problems, his unfulfilled dreams, and the burdens of the Great Depression. Along the way, he’s tempted with offers of vast wealth and travel opportunities by the conniving Potter, but he always turns him down, opting to work for the benefit of the community instead. However when a seemingly innocent snafu threatens to bring down Bailey Savings & Loan, George ponders the unthinkable. He questions his very existence and the true worth of his life. Disillusioned by feelings of failure and a pessimistic outlook for the future, he fails to see the true value of his life. In the end, only divine intervention and the warm hearts of the people of Bedford Falls can transform George’s outlook and force to him to recognize the extraordinary life he’s lived… The innate power of It’s A Wonderful Life stems from the strength of numerous performances, most notably that of Jimmy Stewart. Much like Tom Hanks today, Stewart played the role of the everyman during his long tenure in Hollywood. He may have lacked the sex appeal of Clark Gabel or the cowboy virility of John Wayne, but he fit perfectly in the mold of best friend and loveable guy. In a feel-good, fairy tale film like this one, Stewart is cast perfectly, and he’s well complemented by a host of others… Who else could play the role of the grumpy miser any better than Lionel Barrymore? All in all, it’s a recipe for silver screen excellence. It’s A Wonderful Life illuminates an almost magical setting with its idyllic portrayal of Depression-era, small-town America. Each character (with the exception of Mr. Potter), harkens back to a simpler time when public attitudes toward morality prevailed, where neighbors knew each other by name, and where communities helped each other out. Further strengthening the allure of the film, George Bailey and his friends are likeable characters who develop a strong rapport with the audience, forcing the viewer to actively root for the desired outcome. It’s this personal connection with the audience (and an audience ability to relate to the overriding themes) which is the key to the enduring success of this film. Having spent over five decades as America’s most popular Christmas movie, It’s A Wonderful Life deserves mention among the ranks of the all-time classics of cinema.

Goodfellas

GoodFellas

GoodFellas

Joe Pesci won an Oscar for Best Actor in a Supporting Role for his part in GoodFellas, a film nominated for six Academy Awards overall including Best Picture. And every accolade attributed to this film is well deserved. With an all-star cast of performers, GoodFellas is one of director Martin Scorsese's greatest productions. Based on the true story of former mobster Henry Hill, GoodFellas begins with his famous quote, "As far back as I can remember, I've always wanted to be a gangster…" GoodFellas follows the life of Henry Hill (Ray Liotta), an Irish-Italian American who becomes involved in organized crime at a young age. Quickly rising in stature as a small time gangster, Henry wins the heart of a local Jewish girl, Karen (Lorraine Bracco), despite her parents' objections. Karen, though frightened, is fascinated by Henry's life of crime. He has many friends - rich friends, powerful friends. And nobody messes with him. When they get married, Karen is forced to adjust to the life of a typical mobster's wife… Meanwhile, Henry's best friends (he and Karen only associate with those connected to the mob) in crime are Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) - two fellow wiseguys with their sights set on bigger and better jobs. When Henry, Jimmy, and Tommy pull together a team that executes the biggest heist in years, their reputations rise fast within the mob hierarchy. But things begin to fall apart when the incompetent and undisciplined men with whom they worked start flaunting cash from the robbery. The three friends are forced to kill off several members of the team in order to avoid raising the suspicions of the police. But eventually, Henry becomes arrogant and reckless, landing himself in jail. When he gets out, he's careful in his business dealings due to the fact that local mob boss Paulie Cicero (Paul Sorvino) has his eye on him. Paulie doesn't want Henry to do anything stupid and land himself in jail again. But in the end, Henry, Jimmy, and Tommy get more than they bargained for when Tommy kills an annoying barfly - unaware that the man he killed was a "made man". Now, each man must figure out for himself which direction his life will take… Raw and blunt in its pronouncements, GoodFellas easily holds its own with some of the greatest films of all time. Like any good story, it brings the audience into an unknown world of mystery and seduction. The audience begins to feel the tension along with the characters in the film. That's the mark of a great movie… Liotta, Pesci, and De Niro all stand out in this epic drama about one man's life as a professional criminal. Through each man, the audience views the perks and the pitfalls of life in the mob as well as the perpetual feeling that one is always looking over his shoulder. GoodFellas doesn't glamorize life in the mob by any means, and those who enjoyed The Godfather will appreciate its contemporary slant on the drug trade to which Don Corleone so vigorously objected. When taking an objective view, GoodFellas stacks up as one of the 100 greatest movies of all time, and it certainly merits the designation of must-see film…

Gladiator

Gladiator

Gladiator

Winner of five Academy Awards including Best Picture, and nominated for an additional seven, Gladiator is one of the best produced and directed films of its time. Reminiscent of Mel Gibson’s Braveheart, it creates a world so seemingly realistic, you find yourself drawn backward in time to the glory days of Rome. The musical score, colorful costumes, and intricate sets combine to create the illusion that one is actually witnessing the trials and travails of human existence in early millennial Rome. The film opens with a sobering display of ancient warfare’s equivalent of “shock and awe” as the Roman legions advance on a band of rebels resisting the empire from the outskirts of Gaul. From the moment the legion commanders signal attack, the fury of hell is unleashed as flaming arrows and iron bars batter a unified front of rebel fighters. The scene is more comparable to Desert Storm than an ancient battlefield, and it visually illustrates the overwhelming power once embodied in the Roman legions. The central figure of the film and leader of the opening battle is Maximus (Russell Crowe), a Roman general adored by his men and admired throughout the empire for his impeccable character. While visiting the battlefield, the aging Emperor Marcus Aurelius (Richard Harris) reveals to Maximus his secret plan to appoint the general caretaker of Rome upon his death, with the understanding he will restore the Senate and eliminate the dictatorial rule of the Caesars. But unbeknownst to both men, the emperor’s overly ambitious son Commodus (Joaquin Phoenix) learns of the plan. He murders his father and demands the allegiance of Maximus. When the general refuses, the new emperor calls for his execution, seeking to eliminate all who stand in his way. But the plan goes awry when Maximus escapes, setting the stage for the central conflict of the film as Maximus the gladiator grows in legend and Maximus the slave challenges the authority of a Roman emperor... Crowe is cast well in the roll of the classic hero, but it’s the supporting cast which puts Gladiator in another dimension of cinematic excellence. Joaquin Phoenix dominates the screen with his impassioned portrayal of the darkly ambitious Commodus, providing film lovers with an early glimpse of his now apparent acting genius. Richard Harris is his usual charismatic onscreen presence, while Connie Nielsen, Oliver Reed, and Derek Jacobi lend excellent complimentary support to the role of Maximus as their characters unveil the driving life force and internal motivations of the larger than life Roman hero. To this end, the strength of the cast creates a synergy reflected in the overall quality of this memorable film. As a work of entertainment, Gladiator is second to none. The gladiatorial battle scenes provide endless thrills, and the dialogue between the characters is wrought with political intrigue, lust for power, and conflicting realities. Russell Crowe is superb in his role as the hero Maximus. Noble in his intentions and powerful as a leader, Maximus represents the ideal of honor and chivalry. One of those rare films which offers its audience a true emotional stake in the outcome, Gladiator is fraught with high-octane suspense and thrilling action sequences. If you liked Mel Gibson’s Braveheart or The Patriot, then you’ll simply love Gladiator